Morality Play Pattern in Pride and Prejudice - 995 Words

Austen is particularly unusual among virtue ethicists past and present in according amiability so much importance, even though it is so obviously central to most peoples lives working, if not living, in close confinement with others with whom one must and should get along. Austen presents these virtues as not merely a necessary accommodation to difficult circumstances, but as superior to the invidious vanity and pride of the rich and titled, which she often mocks. So, in Pride and Prejudice, Elizabeth Bennet rejects Darcys haughty condescension out of hand; the happy ending must wait until Darcy comes to see beyond her lowly connections and unaristocratic manners and fully recognise her true (bourgeois) virtue. That is a moral happy†¦show more content†¦Emma, meanwhile, is very discriminating, but she is a snob about it: she is rather too conscious of her social status and does not actually respect others as she should (which, of course, gets her into trouble). Then there are the illustrations of what virtuous conduct looks like. Here one sees why the plot is so firmly in the authors hands, not the characters. Austen is primarily concerned with setting up particular scenes - moral trials - in which we can see how virtuous characters behave in testing circumstances. These moral lessons to the reader are the parts she gave the most exacting attention to; where her words are perfectly chosen and sparkling with intelligence and deep moral insight. These are the parts that she actually cared about; the rest - the rituals of the romantic comedy genre and social realism - is just background. We see Austens characters navigating the unpleasant attentions and comments of boors, fools and cads with decorum and dignity: Indeed, brother, your anxiety for our welfare and prosperity carries you too far, Elinor chastises John Dashwood, ever so politely in Sense and Sensibility. In every novel we see Austens central characters working through moral problems of all kinds, weighing up and considering what propriety requires by talking it through to themselves or trusted friends. We see them learning from their mistakes, as Elizabeth and Darcy both learn from their early mistakes aboutShow MoreRelatedThe Hunger Games And Jane Austen s Pride And Prejudice Essay961 Words   |  4 PagesAusten s Pride and Prejudice. Shakespeare follows this popular pattern in his literature, oftentimes including a twist; many times the main character is defined as a tragic hero. Macbeth embodies the essence of a tragic hero, exemplifying the traits defined in the Holt McDougal Literature textbook. His murderous tragic flaw is the beginning of said tyrant’s end however, as relationships become poisonous and loyalties are defined following the progression of the story. 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